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Patan (Gujarat)
Wood
A fine figural strut formed as a crowned celestial musician (Vidyadhara). She holds a small drum and wears a patterned blouse and a flowing pleated skirt standing in a typical curved posture. Her long veil drapes behind her shoulders resembling wings. The appearance of wings on figures is a very old tradition in Indian art. Although seen in many parts of Gujarat the treatment his novel : the robes of the figure turn up at the ends and the veil cross the shoulders and turns into wings.
The ancestral occupation of the Hindu Suthar community, the craft of wood carving was practiced in several districts of Gujarat including Patan, Kadi, Ahmedabad and Nadiad, although the legacy of exquisite wood carving seen in the traditional havelis, mansions, is evident in all the districts of Gujarat. Patan district is renowned for the intricately carved Bohra haveli or mansions at Siddhpur; these structures are characterised by their eclectic use of geometric or floral patterns as well as motifs inspired by European and West Asian decorative elements on the woodwork of the balconies and ceilings.The wooden architecture of Ahmedabad on the other hand, acquires its distinctive aesthetic through the use of patterns borrowed from block printing and textiles.
Size (cms): 72.5(H) x 20(W) x 28(D)
Size (inches): 28.5(H) x 8(W) x 11(D)
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Gujarat (Western India)
Wood with traces of polychrome
An attractive architectural bracket with original colour depicting a figure holding an instrument, possibly a Tanpura. The figure wears a decorated crown and has a stylised face with large ovular eyes pressing into a pointed nose and ears in the shape of swirling foliage. He is dressed in a pleated dhoti and a patterned vest. A stylised stole that is draped across his shoulders, turn into wings that emerge from either end of his body. A tilak is marked on his forehead.
Dwarapalas or ‘door guardians’ are placed at the entrance of every temple, shrine or sacred precinct. Two or four-handed, they sometimes carry in their hands the emblem of the deity enshrined in the sanctuary. Their countenance may sometimes be fierce and occasionally fangs protrude from their mouths. Temples dedicated to goddesses have female guardians – the Dwarapalikas.
Size (cms): 75 (H) x 20 (W) x 19 (D)
Size (inches): 29.5 (H) x 8 (W) x 7.5 (D)
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Patan (Gujarat)
Wood, polychromed
A decorative winged musician bracket, the figure who is crowned holds a percussion instrument. She wears a patterned blouse and a pleated skirt.
The ancestral occupation of the Hindu Suthar community, the craft of wood carving was practiced in several districts of Gujarat including Patan, Kadi, Ahmedabad and Nadiad, although the legacy of exquisite wood carving seen in the traditional havelis, mansions, is evident in all the districts of Gujarat. Patan district is renowned for the intricately carved Bohra haveli or mansions at Siddhpur; these structures are characterised by their eclectic use of geometric or floral patterns as well as motifs inspired by European and West Asian decorative elements on the woodwork of the balconies and ceilings.The wooden architecture of Ahmedabad on the other hand, acquires its distinctive aesthetic through the use of patterns borrowed from block printing and textiles.
Size (cms): 64(H) x 14(W) x 21(D)
Size (inches): 25(H) x 5.5(W) x 8.5(D)
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Patan (Gujarat)
Wood
An attractive wooden winged apsara bracket. The crowned figure has patterned wings and holds a long garland which is looped around her leg.
The ancestral occupation of the Hindu Suthar community, the craft of wood carving was practiced in several districts of Gujarat including Patan, Kadi, Ahmedabad and Nadiad, although the legacy of exquisite wood carving seen in the traditional havelis, mansions, is evident in all the districts of Gujarat. Patan district is renowned for the intricately carved Bohra haveli or mansions at Siddhpur; these structures are characterised by their eclectic use of geometric or floral patterns as well as motifs inspired by European and West Asian decorative elements on the woodwork of the balconies and ceilings.The wooden architecture of Ahmedabad on the other hand, acquires its distinctive aesthetic through the use of patterns borrowed from block printing and textiles.
Size (cms): 77(H) x 55(W) x 18(D)
Size (inches): 30.5(H) x 21.5(W) x 7(D)
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Patan (Gujarat)
Wood, polychromed
A fine figure of a winged angel, crowned, holding a pair of small cymbals. She wears a patterned blouse and a pleated skirt and stands on a lotus shaped base.
The ancestral occupation of the Hindu Suthar community, the craft of wood carving was practiced in several districts of Gujarat including Patan, Kadi, Ahmedabad and Nadiad, although the legacy of exquisite wood carving seen in the traditional havelis, mansions, is evident in all the districts of Gujarat. Patan district is renowned for the intricately carved Bohra haveli or mansions at Siddhpur; these structures are characterised by their eclectic use of geometric or floral patterns as well as motifs inspired by European and West Asian decorative elements on the woodwork of the balconies and ceilings.The wooden architecture of Ahmedabad on the other hand, acquires its distinctive aesthetic through the use of patterns borrowed from block printing and textiles.
Size including the stand (cms): 80 (H) x 28 (W) x 19 (D)
Size including the stand (inches): 31.5 (H) x 11 (W) x 7.5 (D)
